SACKBUT - meaning and definition. What is SACKBUT
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What (who) is SACKBUT - definition

HISTORICAL BRASS INSTRUMENT
Sackbutt; Sacbutt; Sacbut; Sacqueboute; Sagbutt; Shakbusshe; Great quint; Sackbutist; Shakbusse; Sackbuts; Sagbut; Saqueboute; Renaissance trombone
  • wait]], an ensemble of loud instruments suited to playing outdoors. Centre, a sackbut.
  • Trombone on a 1909 headstone, Christ Church, [[Todmorden]]
  • Bass sackbut in G by Pierre Colbert, 1593. Rijksmuseum, Amsterdam
  • Contrabass sackbut in B♭ by Georg Nikolaus Öller, 1639, Stockholm. The Swedish Museum of Performing Arts.
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  • Sackbut in a [[fresco]] by [[Filippino Lippi]] in Rome, ''The Assumption of the Virgin'', dating from 1488 to 1493. This is the earliest clear evidence of a double-slide instrument.<ref name="Herbert 2006, p. 60">Herbert (2006), p.&nbsp;60.</ref>
  • [[Marin Mersenne]], ''L'Harmonie universelle'' (1636).<!--this image is displayed at less than standard width (150px specified) given its height to prevent the display of extreme pixel height-->
  • Musicians from 'Procession in honour of Our Lady of Sablon in Brussels.' Early 17th-century Flemish [[alta cappella]]. From left to right: bass [[dulcian]], alto [[shawm]], treble [[cornett]], soprano shawm, alto shawm, tenor sackbut.
  • Musicians gallery from the funeral of Charles III, Duke of Lorraine. The gallery has a mix of instruments and musicians including singers, sackbuts, bass [[shawm]]s, [[cornett]]s, [[lute]]s, [[viol]]s (both bowed and plucked).
  • baritone clef]] seen here is very common for trombone parts of this era.<!--this image is displayed at more than standard width (400px specified) given its width to allow visibility and prevent the display of extreme image narrowness-->
  • Trombones in ''[[Syntagma Musicum]]'' (1614-20), by [[Michael Praetorius]].
  • ''Left to right'': replica alto, tenor and bass sackbuts, in [[Museu de la Música de Barcelona]].
  • Four sackbuts: two tenors, ''left & middle''; alto, ''top''; bass, ''right''.
  • "Busaun" (trombone) and various trumpets by different names, from the 1511 [[treatise]] by [[Sebastian Virdung]].
  • Virgiliano's treatise ''Il Dolcimeo'' (c. 1600).<!--this image is displayed at more than standard width (400px specified) given its width to allow visibility and prevent the display of extreme image narrowness-->

Sackbut         
·noun A brass wind instrument, like a bass trumpet, so contrived that it can be lengthened or shortened according to the tone required;
- said to be the same as the Trombone.
sackbut         
['sakb?t]
¦ noun an early form of trombone used in Renaissance music.
Origin
C15: from Fr. saquebute, from obs. saqueboute 'hook for pulling a man off a horse'.
The Sackbut         
BRITISH MUSIC JOURNAL
The Sackbut was a British music journal published from 1920 to 1934 by the Curwen Press. It published general articles on mainly contemporary, both British and foreign, music as well as reports on performances and records.

Wikipedia

Sackbut

The term sackbut refers to the early forms of the trombone commonly used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one.

Records of the term trombone predate the term sackbut by two decades, and evidence for the German term Posaune is even older. Sackbut, originally a French term, was used in England until the instrument fell into disuse in the eighteenth century; when it returned, the Italian term trombone became dominant. In modern English, an older trombone or a replica is called a sackbut.

The bell section was more resonant, since it did not contain the tuning slide and was loosely stayed rather than firmly braced to itself. This trait and its smaller bore and bell produce a "covered, blended sound which was a timbre particularly effective for working with voices,... zincks and crumhorns", as in an alta cappella.

The revived instrument had changed in specific ways. In the mid-18th century, the bell flare increased, crooks fell out of use, and flat, removable stays were replaced by tubular braces. The new shape produced a stronger sound, suitable to open-air performance in the marching bands where trombones became popular again in the 19th century. Before the early 19th century, most trombones adjusted tuning with a crook on the joint between the bell and slide or, more rarely, between the mouthpiece and the slide, rather than the modern tuning slide on the bell curve, whose cylindrical sections prevent the instrument from flaring smoothly through this section. Older trombones also generally don't have water keys, stockings, a leadpipe, or a slide lock, but as these parts are not critical to sound, replicas may include them. Bore size remained variable, as it still is today.